Stumbling on old abandoned computer files can be fun and insightful. A few years ago, I was exploring the idea of a costume specific portfolio and these were done as I was generating ideas. While I liked the overall layouts and style concepts, I never gained momentum on them because the design development process was still vague to me at the time. I was focusing on a final product and not the process that would lead me there naturally.
Even after gathering loads of reference, I was relying so much on aesthetics that I wasn't able to see how the costumes could have more story in them, and I was missing the mark on the most useful visual troubleshooting to present. In the end, it would've just read as a book of illustrations rather than an advertisement of concept and visual development skills.
If layout and presentation drive the process, you'll just end up with some fun eye candy. Someone might appreciate the aesthetic of the final work and ask to see more, but you can empower yourself more than that. You don't have to just rely on hope that someone will like your aesthetic taste.
Once I started letting the story and practical production needs drive every step of my process, things began to click into place. And every time I learn more about how a production works as a whole, I'm able to further clarify and refine that process. Things just lead into the next and the enjoyment of the process increases. It's pretty boss actually.
I feel completely blessed to be able to work as a professional artist/storyteller every day now, and I'm passionately trying to improve my process so that I can add clear value to everything I work on. Hopefully this helps someone out there who might have gotten stuck in a similar stage as I did :) There's light at the end of the tunnel.
At this point I did another pass at the thumbnails. This may change as my speed in executing larger finished pieces increases but so far, if I can go back to thumbnails to solve a problem, it's the fastest way for me to narrow down my concepts. I'm very comfortable sketching small and it keeps me from getting caught up in the details before I have a overall silhouette/cut that is communicating. It's also freeing since I don't get attached to any idea when I spent less time on it. Keeps me from polishing something that is broken ;)